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Featured Artist - THE ROOTS
Featured Artist - THE ROOTS Photo

ALBUMS:

The Roots - 

Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's "hip-hop band" philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. Though their album works have been inconsistent affairs, more intent on building grooves than pushing songs, the Roots' live shows are among the best in the business.

The Roots' focus on live music began back in 1987 when rapper Black Thought (Tariq Trotter) and drummer ?uestlove(Ahmir Khalib Thompson) became friends at the Philadelphia High School for Creative Performing Arts. Playing around school, on the sidewalk, and later at talent shows (with ?uestlove's drum kit backing Black Thought's rhymes), the pair began to earn money and hooked up with bassist Hub (Leon Hubbard) and rapper Malik B. Moving from the street to local clubs, the Roots became a highly tipped underground act around Philadelphia and New York. When they were invited to represent stateside hip-hop at a concert in Germany, the Roots recorded an album to sell at shows; the result, Organix, was released in 1993 on Remedy Records. With a music industry buzz surrounding their activities, the Roots entertained offers from several labels before signing with DGC that same year.

The Roots' first major-label album, Do You Want More?!!!??!, was released in January 1995; forsaking usual hip-hop protocol, the album was produced without any samples or previously recorded material. It peaked just outside the Top 100, but was mostly ignored by fans of hip-hop. Instead, Do You Want More?!!!??! made more tracks in alternative circles, partly due to the Roots playing the second stage at Lollapalooza that summer. The band also journeyed to the Montreux Jazz Festival in Switzerland. Two of the guests on the album who had toured around with the band, human beatbox Rahzel the Godfather of Noyze -- previously a performer with Grandmaster Flash and LL Cool J -- and Scott Storch (later Kamal), became permanent members of the group.

Early in 1996, the Roots released Clones, the trailer single for their second album. It hit the rap Top Five, and created a good buzz for the album. The following September, Illadelph Halflife appeared and made number 21 on the album charts. Much like its predecessor, though, the Roots' second LP was a difficult listen. It made several very small concessions to mainstream rap -- the bandmembers sampled material that they had recorded earlier at jam sessions -- but failed to make a hit of their unique sound. the Roots' third album, 1999's Things Fall Apart, was easily their biggest critical and commercial success; The Roots Come Alive followed later that year.

The long-awaited Phrenology was released in late November 2002 amid rumors of the Roots losing interest in their label arrangements with MCA. In 2004, the band remedied the situation by creating the Okayplayer company. Named after their website, Okayplayer included a record label and a production/promotion company. The same year, the band held a series of jam sessions to give their next album a looser feel. The results were edited down to ten tracks and released asThe Tipping Point in July of 2004. A 2004 concert from Manhattan's Webster Hall with special guests like Mobb DeepYoung Gunz, and Jean Grae was released in early 2005 as The Roots Present in both CD and DVD formats. Two volumes of the rarities-collecting Home Grown! The Beginner's Guide to Understanding the Roots appeared at the end of the year.

A subsequent deal with Def Jam fostered a series of riveting, often grim sets, beginning with Game Theory (August 2006) and Rising Down (April 2008). In 2009, the group expanded its reach as the exceptionally versatile house band on Late Night with Jimmy Fallon. The new gig didn't slow their recording schedule; in 2010 alone, they released the sharpHow I Got Over (June), as well as Wake Up! (September), where they backed John Legend on covers of socially relevant soul classics like Harold Melvin & the Blue Notes' "Wake Up Everybody" and Donny Hathaway's "Little Ghetto Boy." The next year, as they remained with Fallonthe Roots worked with Miami soul legend Betty Wright on November's Betty Wright: The Movie, and followed it weeks later with their 13th studio album, Undun.

http://www.allmusic.com/artist/the-roots-mn0000415906/biography

| Closed on 08/23/13 at 05:00PM
FanIQ Pts? No | Locker Room, Music | Multiple Choice Opinion Poll
6 Fans 
17%a. 10 (Righteous)
17%b. 7-9 (Liked most songs)
50%c. 5-6 (Like a few songs)
17%d. 1-4 (No Interest / Never heard of them)
0%e. pffffffft!

  
4 Comments | Sorted by Most Recent First | Red = You Disagreed
Vote for your favorite comments. Fans decide the Top Comment (3+ votes) and also hide poor quality comments (4+ votes).
#1 | 404 days ago

i love them! first time i heard them was a few months ago and i listened and loved for so long that i actually got tired of them in one sitting. it's probablysafe to hear them again by now
7-9 (Liked most songs)  
#2 | 404 days ago

Fantastic
#3 | 404 days ago

The only song of theirs I know is Seed 2.0 and it's a great song created by talent.
5-6 (Like a few songs)  
#4 | 403 days ago

oh, jay swole loves them, and "the roots".

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