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Featured Artist - BUDDY GUY
Featured Artist - BUDDY GUY Photo

ALBUMS:
1965 Hoodoo Man Blues
1966 Chicago / The Blues / Today!, Vol. 1
1966 It’s My Life, Baby!
1967 I Left My Blues in San Francisco
1967 Berlin Festival - Guitar Workshop
1968 A Man and the Blues
1968 Coming at You
1968 Blues Today
1968 This Is Buddy Guy (Live)
1969 Hot and Cool
1969 First Time I Met the Blues-Python
1970 Buddy and the Juniors
1971 Buddy & Junior Mance & Junior Wells
1970 South Side Blues Jam
1971 In the Beginning
1972 Play the Blues
1972 Hold That Plane!
1974 I Was Walking Through the Woods
1979 Got to Use Your Head
1980 The Dollar Done Fell
1981 Buddy & Phil
1981 Stone Crazy!
1981 Going Back
1982 Drinkin’ TNT ’n’ Smokin’ Dynamite (live)
1982 DJ Play My Blues
1983 Buddy Guy
1983 The Original Blues Brothers (live)
1985 Ten Blue Fingers
1986 Atlantic Blues: Chicago
1987 Chess Masters
1988 Live at the Checkerboard Lounge, Chicago-1979
1988 Breaking Out
1989 I Ain’t Got No Money
1991 Alone & Acoustic
1991 Damn Right, I've Got the Blues
1992 My Time After Awhile
1992 The Very Best of Buddy Guy
1992 The Complete Chess Studio Recordings
1992 Live at Montreaux
1993 Stone Free: A Tribute to Jimi Hendrix
1993 Feels Like Rain
1994 Slippin' In
1996 Live: The Real Deal
1997 Buddy’s Blues
1998 Buddy’s Blues 1978-1982: The Best of the JSP Recordings
1998 As Good as It Gets
1998 Heavy Love
1998 Last Time Around - Live at Legends
1998 This Is Buddy Guy
1998 Blues Master
1999 Buddy’s Baddest: The Best of Buddy Guy
2000 The Complete Vanguard Recordings
2000 Every Day I Have the Blues
2001 20th Century Masters: The Millennium: The Best of Buddy Guy
2001 Sweet Tea
2001 Double Dynamite
2003 Blues Singer
2003 Chicago Blues Festival 1964 (Live)
2003 Jammin’ Blues Electric & Acoustic
2003 Live at the Mystery Club
2005 A Night of the Blues
2005 Bring 'Em In
2006 Can't Quit the Blues: Box Set
2006 Live: The Real Deal
2007 Goin' Home: A Tribute to Fats Domino
2008 Skin Deep
2009 The Definitive Buddy Guy
2010 Living Proof
2013 Rhythm & Blues


Buddy Guy - 

Buddy Guy is one of the most celebrated blues guitarists of his generation (and arguably the most celebrated), possessing a sound and style that embodied the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll. Guy spent much of his career as a well-regarded journeymen, cited as a modern master by contemporary blues fans but not breaking through to a larger audience, before he finally caught the brass ring in the 1990s and released a series of albums that made him one of the biggest blues acts of the day, a seasoned veteran with a modern edge. And few guitarists of any genre have enjoyed the respect of their peers as Guy has, with such giants as Eric ClaptonJimi HendrixJeff BeckKeith RichardsStevie Ray Vaughan, and Mark Knopfler all citing him as a personal favorite.

George "Buddy" Guy was born in Lettsworth, Louisiana on July 30, 1936, and is said to have first learned to play on a homemade two-string instrument fashioned from wire and tin cans. Guy graduated to an acoustic guitar, and began soaking up the influences of blues players such as T-Bone WalkerB.B. King, and Lightnin' Hopkins; as his family relocated to Baton Rouge, Guy had the opportunity to see live performances by Lightnin' Slim (aka Otis Hicks) and Guitar Slim, whose raw, forceful sound and over the top showmanship left a serious impression on GuyGuy started playing professionally when he became a sideman for John "Big Poppa" Tilley, where he learned to work the crowd and overcome early bouts of stage fright. In 1957, Guy cut a demo tape at a local radio station and sent a copy to Chess Records, the label that was home to such giants as Muddy WatersHowlin' Wolf, and Etta James, shortly before buying a one-way train ticket and moving to Chicago, eager to make music his career.

Guy didn't enjoy immediate success in Chicago, and struggled to find gigs until his fiery guitar work and flashy stage style (which included hopping on top of bars and strutting up and down their length while soloing, thanks to a 100-foot long guitar cable) made him a regular winner in talent night contests at Windy City clubs. Guy struck up friendships with some of the city's best blues artists, including Muddy WatersOtis RushFreddie King, and Magic Sam, and landed a steady gig at the 708 Club, where he became known as a talent to watch. In 1958, Magic Sam arranged for Guy to meet Harold Burrage, the owner of local blues label Cobra Records, and Guy was soon signed to Cobra's sister label Artistic Records. Willie Dixon produced Guy's debut single, "Sit and Cry (The Blues)," as well as the follow-up, "This Is the End," but in 1959, Cobra and Artistic abruptly closed up shop, and like labelmate Otis RushGuy found a new record deal at Chess. Guy's first single for Chess, 1960's "First Time I Met the Blues," was an artistic triumph and a modest commercial success that became one of his signature tunes, but it was also the first chapter in what would prove to be a complicated creative relationship between Guy and label co-founder Leonard Chess, who recognized his talent but didn't appreciate the louder and more expressive aspects of his guitar style. While Guy enjoyed minor successes with outstanding Chess singles such as "Stone Crazy" and "When My Left Eye Jumps," much of his work for the label was as a sideman, lending his talents to sessions for Muddy WatersKoko TaylorHowlin' WolfLittle Walter, and many others. And one of Guy's definitive recordings of the '60s wasn't even issued by Chess; Guy had been performing occasionally with blues harpist Junior Wells, and Guy and his band backed up Wells on the 1965 Delmark release Hoodoo Man Blues, a masterful exercise in the Chicago blues style, with Guy credited as "Friendly Chap" on initial pressings in deference to his contract with Chess.

Chess didn't issue an album on Guy until the 1967 release of I Left My Blues in San Francisco, and when his contract with the label ran out, he promptly signed with Vanguard, who put out A Man and the Blues in 1968. As a growing number of rock fans were discovering the blues, Guy was finding his stock rising with both traditional blues enthusiasts and younger white audiences, and his recordings for Vanguard gave him more room for the tougher and more aggressive sound that was the trademark of his live shows. (It didn't hurt that Jimi Hendrix acknowledged Guy as an influence and praised his live show in interviews.) At the same time, Guy hadn't forsaken the more measured approach he used with Junior WellsBuddy and Wells cut an album that also featured Junior Mance on piano for Blue Thumb called Buddy and the Juniors, and in 1972, Eric Clapton partnered with Ahmet Ertegun and Tom Dowd to produce the album Buddy Guy and Junior Wells Play the Blues. In 1974, Guy and Wells played the Montreux Jazz Festival, with Bill Wyman of the Rolling Stones sitting in on bass; the show was later released as a live album, Drinkin' TNT and Smokin' Dynamite, with Wyman credited as producer.

By the end of the '70s, Guy was without an American record deal, and his career took a hit as a result; while he recorded some material for specialist labels in Europe and Japan, and Alligator issued two collections in 1981, Alone and Acoustic and Stone Crazy, for the most part Guy supported himself in the '80s through extensive touring and live work, often appearing in Europe, where he seemed better respected than in the United States. Despite this, he continued to plug away at the American market, buoyed by interest from guitar buffs who had heard major stars sing his praises; in 1985, Eric Clapton told a reporter for Musician magazine, "Buddy Guy is by far and without a doubt the best guitar player alive...he really changed the course of rock & roll blues," while Vaughan declared, "Without Buddy Guy, there would be no Stevie Ray Vaughan." In 1989, Guy opened his own nightclub in Chicago, Buddy Guy's Legends, where he frequently performed and played host to other top blues acts, and in 1991, after a well-received appearance with Clapton at London's Royal Albert Hall (documented in part on the album 24 Nights), he finally scored an international record deal with the Silvertone label, distributed by BMG. Guy's first album for Silvertone, Damn Right, I've Got the Blues, featured guest appearances by ClaptonJeff Beck, and Mark Knopfler, and featured fresh versions of several fan favorites as well as a handful of new tunes; it was the Buddy Guy album that finally clicked with record buyers, and became a genuine hit, earning Guy a gold album, as well as a Grammy Award for Best Contemporary Blues Album. Guy wasted no time cutting follow-ups, releasing Feels Like Rain in 1993 and Slippin' In in 1994, both of which racked up solid sales figures and won Guy further Grammy Awards.

In 1993, Guy reunited with Junior Wells on the stage of his Legends club; it would prove to be one of Wells' last live performances, and the show was released in 1998, several months after Wells' passing, on the album Last Time Around: Live at Legends. While most of Guy's work in the late '90s and into the new millennium was the sort of storming Chicago blues that was the basis of his reputation, he also demonstrated he was capable of exploring other avenues, channeling the hypnotic Deep Southern blues of Junior Kimbrough on 2001's Sweet Tea and covering a set of traditional blues classics on acoustic guitar for 2003's Blues Singer. In 2004, Guy won the W.C. Handy Award from the American Blues Foundation for the 23rd time, more than any other artist, while he took home his sixth Grammy Award in 2010 for the album Living ProofGuy also received the National Medal of the Arts in 2003, and was awarded with Kennedy Center Honors in 2012. He was inducted into the Rock and Roll Hall of Fame in 2005, with both Eric Clapton and B.B. King presenting him with his award, and in 2012 he performed a special concert at the White House, where he persuaded President Barack Obama to join him at the vocal mike for a few choruses of "Sweet Home Chicago." Guy continued his late-career revival with the 2012 memoir When I Left Home: My Story and the summer 2013 release of the ambitious, guest star-laden double album Rhythm & Blues.

http://www.allmusic.com/artist/buddy-guy-mn0000942529/biography
| Closed on 10/04/13 at 05:00PM
FanIQ Pts? No | Locker Room, Music | Multiple Choice Opinion Poll
7 Fans 
86%a. 10 (Amazing Artist)
0%b. 7-9 (Like most of his music)
14%c. 5-6 (Like a few songs)
0%d. 1-4 (No Interest / Never heard of him)
0%e. He sucks!

 &nbp;
TOP COMMENT * * * * * * * * * * * *
#1 | 393 days ago

AAAAhhmazzing....one of the few blues guys i will actually listen to
10 (Amazing Artist)  
  
4 Comments | Sorted by Most Recent First | Red = You Disagreed
Vote for your favorite comments. Fans decide the Top Comment (3+ votes) and also hide poor quality comments (4+ votes).
#1 | 393 days ago

AAAAhhmazzing....one of the few blues guys i will actually listen to
10 (Amazing Artist)  
#2 | 393 days ago
Nick__ (+)

I was fortunate enough to see him live once.  There was a small little Blues Club in the Chicago Suburbs (Lincolnshire) back in the 80's and 90's called "Shades".  I saw him play there.  I also saw Koko Taylor, BB King and Muddy Waters play there in the early 90's.

The man is an amazing guitarist.......sorry, Beans.  cheeky
10 (Amazing Artist)  
#3 | 393 days ago

Sally you better slow your Mustang down
#4 | 392 days ago

Love that dude. 

yes
10 (Amazing Artist)  

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